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At first you are purely intuitive. You point. You shoot. There is no rhyme or reason to how your pictures come out, but the fact that you try more things and allow intuition a large amount of control means you can come up with some incredible photos.

Next, you remember some rules. Sunny 16, sun over your shoulder, shoot in the shade, in older days Iapos;d include hyperfocal distance or a little f-stop calculating here. Your intuition takes a big hit. Youapos;re trying to use rules that are based on things you donapos;t fully grasp and so your creativity is necessarily limited.

Next you become more familiar with the technical aspects of your camera, your subjects, and the light. You know why the rules in the previous stage existed and you work to adapt your knowledge to changing situations. You know little tricks now, like affecting the shape or point light sources with the f-stop. You understand supplemental lighting but your ability to effectively use fill flash might be limited. All the things you know about light size and quality and difuse/direct reflections starts to choke out your intuitive reasoning. Your photos become better than they ever were before, but without great effort, youapos;ll miss out on what first brought you into photography.

Youapos;ll become decent at controlling stobes. Youapos;ll get a feel for what power output will produce what level of light in a photo. You gain an intuitive understanding of something you learned in the second stage - that photography involves disecting the scene so that it actually resembles something the mind would simplify a different scene down to. The mind ignores all kinds of peripheral detail, and now you are able to identify these details and manipulate them to your own ends. You see kinds of light and know what they will do and how to use them. You sometimes forget the letter of the photographic law. You understand too well why those laws exist to waste time being concerned about them - you can work off the fundamental information instead.

One day you will see all of the information your visual cortex blots out. Your mind is taking in so much visual information and filtering it and telling you whatapos;s important that youapos;re missing out on whatapos;s hitting the cutting room floor. It takes great concentration for you to see the highlights and shadows that make up a full range of values on a camera. One day you will see the most subtle shadow with no effort. You will gain an ability to intuitively read any situation and produce whatever is wanted. You will have the knowledge to disect a scene in a clinical and precise manner.


That last section is where I hope to get sometime soon.

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